Temporary exhibition / Időszaki kiállítás: holo-: Pupal Fluid // Bábméz (2026.09.27. - 2026.11.29.)

We warmly welcome everyone interested to visit our exhibition, holo-: Pupal Fluid, from September 27 to November 29, 2026!

MODEM presents Pupal Fluid, a solo exhibition by holo-, the artistic duo formed by transdisciplinary glass artist Michaela Cagáňová and designer Kamila Valešová. The collective’s name stems from the Greek-derived prefix holo-, used in scientific compound words and meaning “whole” or “complete”. Its fragmentary form evokes a sense of interconnectedness.

The title refers to the radical bodily reorganisation that takes place during insect metamorphosis. Inside the pupa, some larval tissues break down, while others persist and are reorganised as the adult body develops. The exhibition takes this transitional state as its point of departure: the previous bodily form is already changing, while the new one has not yet fully emerged.

Formed through a long-standing friendship, the duo’s working method is based on dialogue and interdependence, rejecting the myth of the individual artistic genius. Through field research and collaborations with specialists from different scientific disciplines, they construct hypothetical landscapes and para-fictional narratives that engage with forms of life and communication beyond ordinary human perception. Their work takes the form of installations, glass objects, scent-based projects, publications, performances and workshops. Glass is a recurring material in holo-’s practice: during the making process, its form is shaped by heat and gravity as much as by the artists’ intervention.

At the heart of Pupal Fluid is Autochora, accompanied by scent compositions and glass objects. The installation consists of an altar, five custom-made scent compositions and glass cocoons. Drawing on the visual language of ritual objects, it places microorganisms, insects and plants where anthropomorphic deities might otherwise appear.

The altar proposes the possibility of a teaching that requires no human language. The transparent glass cocoons, by contrast, do not reveal what happens within them: we can observe their casing, but the outcome of the transformation remains hidden. In this way, the exhibition approaches metamorphosis as an uncertain transition and draws attention to relationships between human and non-human forms of life.